![]() But more real than the idea of her father’s infidelity and potential pedophilia is the fact that her head is pounding and she feels scared and paranoid and her heart’s beating really fast. This is real because it’s the most important thing happening in Yasmin’s life right now. It’s when you have something very real to play at the same time, which is: You are on a substance. If it’s an emotional scene, that’s not the issue. What was it like filming that scene opposite Yasmin’s former nanny? You had to be so emotional while coming down from a crazy high. That’s really the problem Yasmin is struggling with: Can I still dip into this pot if the pot is filthy? The reason she’s so emotional, other than the drugs, when she meets the nanny is because suddenly she’s thinking, Wow, my father and therefore my lifestyle is really gross. Then she realizes the money she does have is a bit dirty. When she started to doubt whether her father had reliable finances, that was when she was like, Oh my God, what would it be like to not have money? It’s honestly the first time she thought that. I don’t think she notices when she gets paid despite the fact that it’s quite a big paycheck. I think when Maxim (Nicholas Bishop) shares with her that her money may not be as stable as she thinks it is, it’s the first time Yas has ever had to question her relationship to wealth. Yas’s desire to be liked and respected feels almost painfully raw, whether she’s trying to win over new clients or untangling the knots of her past.Īfter the trip to Berlin, what is Yas’s relationship to her wealth? With her stench of entitlement, Yas should be insufferable, but Abela injects a gentle wistfulness into her that cuts through the privilege. ![]() She’s lured into this division by the seductive Celeste (Katrine De Candole), an older Frenchwoman who sees Yas as both a mentee and a plaything. But on a work trip to Berlin, complete with heavy partying alongside frenemy Harper ( Myha’la Herrold), Yas gets a shock while visiting her former nanny, who implies that Yas’s father had impregnated her. ![]() HBO’s Industry is rife with characters you should love to hate, specifically Marisa Abela’s Yasmin, the multilingual heir to a publishing fortune with a taste for luxury accommodations, cocaine, fancy footwear, and a “juicy chilled red.” In season two, Yas is scheming to move from the trading floor at fictional bank Pierpoint into personal-wealth management, where her family’s money is an asset she can bring to the firm, rather than a source of resentment for her fellow strivers.
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